My VIP for this week is Louis Henry Sullivan. He was born on
September 3, 1856. His father was
Irish-born Patrick Sullivan, and his mother was Swiss-born Andrienne List
Sullivan; both of his parents immigrated to the United States in the late
1840s. An older brother, Albert Walter,
was born in 1854.
Sullivan graduated from high
school and studied architecture for a short period of time at the Massachusetts
Institute of Technology (MIT). He was
only sixteen years old when he entered MIT, after learning he could graduate
from high school early and tests out of the first two years at MIT simply by
taking some examinations. He studied at
MIT for a year and then took a job with architect Frank Furness in
Philadelphia.
Because of the Depression of
1873, Furness did not have enough work to continue to employ Sullivan, and
Sullivan moved to Chicago. There he
worked for William LeBaron Jenney and took part in “the building boom following
the Great Chicago Fire of 1871.” Jenney
is “often credited with erecting the first steel-frame building.” Sullivan worked for Jenney for less than a
year before moving to Paris where he “studied at the Ecole des Beaux-Arts for a
year.”
Sullivan returned to Chicago
where he worked as a draftsman for Joseph S. Johnston & John Edelman, who
were “commissioned for the design of the Moody Tabernacle. The “interior decorative `fresco secco’
stencils (stencil technique applied on dry plaster) [was] designed by
Sullivan. He was hired by Dankmar Adler
in 1879 and became a partner in the firm a year later. “This marked the beginning of Sullivan’s most
productive years.”
“Adler and Sullivan initially
achieved fame as theater architects.
While most of their theaters were in Chicago, their fame won commissions
as far west as Pueblo, Colorado, and Seattle, Washington (unbuilt). The culminating project of this phase of the
firm’s history was the 1889 Auditorium Building (1886-90, opened in stages) in
Chicago, an extraordinary mixed-use building which included not only a
4,200-seat theater, but also a hotel and an office building with a 17-story
tower, with commercial storefronts at the ground level of the building fronting
Congress and Wabash Avenues. After 1889
the firm became known for their office buildings, particularly the 1891
Wainwright Building in St. Louis, The Schiller (later Garrick) Building and
theater (1890) in Chicago, along with the Chicago Stock Exchange Building
(1894), the Guaranty Building (also known as the Prudential Building) of
1895-96 in Buffalo, New York and the 1899-1904 Carson Pirie Scott Department
Store by Sullivan on State Street in Chicago.”
Sullivan “has been called the
`father of skyscrapers’ and `father of modernism’. He is considered by many as the creator of
the modern skyscraper, was an influential architect and critic of the Chicago
School, was a mentor to Frank Lloyd Wright, and an inspiration to the Chicago
group of architects who have come to be known as the Prairie School. Along with Henry Hobson Richardson and
Wright, Sullivan is one of `the recognized trinity of American
architecture’. In 1944, he was the
second architect in history to posthumously receive the AIA Gold Medal.”
The Panic of 1893 brought a
great decline in work for Adler and Sullivan as well as all American
architects. Money was borrowed to keep
employees on the payroll, but no relief was in sight from their “financial
distress.” The partnership was dissolved
in 1894 with the Guaranty Building being considered as their last major
project.
This event started Sullivan into
a “twenty-year-long financial and emotional decline, beset by a shortage of
commissions, chronic financial problems and alcoholism. He obtained a few commissions for small-town
Midwestern banks…, wrote books, and in 1922 appeared as a critic of Raymond
Hood’s winning entry for the Tribune Tower competition.
Sullivan married Margaret Davies
Hattabough in 1899 but was not happy in the marriage. The couple separated in 1906 and divorced in
1917 without having any children. Sullivan
died on April 14, 1924, in a hotel room in Chicago; he was buried in Graceland
Cemetery in Chicago’s Uptown and Lake View neighborhoods. A monument was erected in his honor and
placed a few feet from his headstone.
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